TFW diary: Baby Steinberg’s vision was clear, but her execution faltered
By Jessica Borchiver
I have to commend designer Baby Steinberg on her unique portrayal of Spring 2012. It’s not often we see clothes made out of remnants of old fabrics and reprocessed materials. Her vision to create “something from nothing” is creative, however, when boundaries are pushed too far, there often comes a downside. Rather than looking like a runway collection, Steinberg’s execution felt like an episode of Project Runway, in which contestants are challenged to create clothing from scraps. Looks such as an unzipped skirt with a cropped fringe black and white top came off too sloppy, and a long black woven one-shoulder dress proved to be too difficult for a model to walk in. I cringed at times, just hoping these pieces wouldn’t rip apart at the seams, especially a stencil-cut top made of tissue paper. More like art pieces than couture, this collection is hardly practical, except for, maybe, the skin-tight knitted red mini dress with pink and white roses.
![](http://www.facebook.com/sharer.php?u=https://fashionmagazine.com/style/tfw-diary-baby-steinbergs-vision-was-clear-but-her-execution-faltered/&title=TFW diary: Baby Steinberg’s vision was clear, but her execution faltered&picture=https://fashionmagazine.com/wp-content/uploads/2011/10/oct11-tfw-baby1.jpg&description=[caption id="attachment_62169" align="aligncenter" width="600" caption="Photography by Jenna Marie Wakani"][/caption]
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By Jessica Borchiver
I have to commend designer Baby Steinberg on her unique portrayal of Spring 2012. It’s not often we see clothes made out of remnants of old fabrics and reprocessed materials. Her vision to create “something from nothing” is creative, however, when boundaries are pushed too far, there often comes a downside. Rather than looking like a runway collection, Steinberg’s execution felt like an episode of Project Runway, in which contestants are challenged to create clothing from scraps. Looks such as an unzipped skirt with a cropped fringe black and white top came off too sloppy, and a long black woven one-shoulder dress proved to be too difficult for a model to walk in. I cringed at times, just hoping these pieces wouldn’t rip apart at the seams, especially a stencil-cut top made of tissue paper. More like art pieces than couture, this collection is hardly practical, except for, maybe, the skin-tight knitted red mini dress with pink and white roses.
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