Zuhair Murad is the Latest Designer to Foray into Cultural Appropriation
Cue the groans
Zuhair Murad, the high-end designer known for his angelic gowns, and celebrity red carpet appearances, made a serious misstep with his Spring 2018 couture show in Paris this week.
The show featured a confusing mishmash of influences, including loosely-inspired Navajo prints reminiscent of Urban Outfitters circa 2013, rhinestone cowboy fringe details that wouldn’t have looked out of place on an Elvis impersonator, as well as vague country-western influences such as cacti motifs on ball gowns.
According to Vogue Runway, the collection was based on Native American culture “observed from a fantasized and respectful perspective.” Yet it’s unclear what exactly is respectful about taking an eagle feather–a sacred symbol that confers great honour upon the wearer–and affixing it to a white model who parades it down a couture runway.
In an interview, Murad claimed he was aware his design inspiration was “risky” but continued, “I want to go beyond my limits this time; I want to do a challenge.”
If taken out of context, Murad’s designs might not even register as being appropriative considering how loosely based on traditional designs they are. But when the clothing is presented on a runway featuring teepee poles, and the collection is titled, no joke, “Indian Summer,” it all amounts to a big old mess.
“The clients today believe in my taste, and they tell me they trust me and will follow me,” Murad continued. Only time will tell if he’s right. But in the meantime, the backlash to his thoughtless collection has already begun.
![](http://www.facebook.com/sharer.php?u=https://fashionmagazine.com/style/zuhair-murad-appropriation/&title=Zuhair Murad is the Latest Designer to Foray into Cultural Appropriation&picture=https://fashionmagazine.com/wp-content/uploads/2018/01/GettyImages-909863728-800x533.jpg&description=Zuhair Murad, the high-end designer known for his angelic gowns, and celebrity red carpet appearances, made a serious misstep with his Spring 2018 couture show in Paris this week.
[caption id="attachment_330188" align="alignnone" width="2574"] Photography via IMAXTREE[/caption]
The show featured a confusing mishmash of influences, including loosely-inspired Navajo prints reminiscent of Urban Outfitters circa 2013, rhinestone cowboy fringe details that wouldn’t have looked out of place on an Elvis impersonator, as well as vague country-western influences such as cacti motifs on ball gowns.
According to Vogue Runway, the collection was based on Native American culture “observed from a fantasized and respectful perspective.” Yet it’s unclear what exactly is respectful about taking an eagle feather–a sacred symbol that confers great honour upon the wearer–and affixing it to a white model who parades it down a couture runway.
[caption id="attachment_330189" align="alignnone" width="2574"] Photography via IMAXTREE[/caption]
In an interview, Murad claimed he was aware his design inspiration was “risky” but continued, “I want to go beyond my limits this time; I want to do a challenge.”
If taken out of context, Murad’s designs might not even register as being appropriative considering how loosely based on traditional designs they are. But when the clothing is presented on a runway featuring teepee poles, and the collection is titled, no joke, “Indian Summer,” it all amounts to a big old mess.
[caption id="attachment_330190" align="alignnone" width="2574"] Photography via IMAXTREE[/caption]
“The clients today believe in my taste, and they tell me they trust me and will follow me,” Murad continued. Only time will tell if he’s right. But in the meantime, the backlash to his thoughtless collection has already begun.){kind=link}