Agnieszka Wichniewicz on the cover of our November 2005 issue. Photography by Gabor Jurina.

’00s at FASHION: How Globalization Changed Fashion

The birth of online shopping, bloggers and Netflix. The '00s were the future. Or at least they felt like it.

Date October 2, 2017

If the ’90s were a transitionary time for fashion, the new millennium marked the beginning of a new era for fashion and FASHION. The ’00s saw the launch of our little sister magazine FASHION18, a quarterly instalment of all things Canadian teen and tween. Once a city magazine, Toronto Life Fashion, became FASHION, a nationally circulated authority on beauty, fashion and culture. Everyone was developing a digital presence and you could now follow all your favourite magazines on Facebook and Twitter (hint, hint). This globalization thing seemed pretty sweet.

“My first issue was September 2000: the relaunch issue. We didn’t realize we were standing on the edge of a digital divide,” remembers Leanne Delap, FASHION’s editor-in-chief from 1999-2003. “We were locked in a newsstand war; it was the last gasp of that old school pulp-and-paper race. It feels like another era looking back now.”

“It’s so funny; there’s no question that the [digital evolution] has been happening for the last 15-20 years, but it really was a question mark then,” agrees Ceri Marsh, who helped to define FASHION’s direction during the ’00s through her tenure as editor-in-chief from 2003 until 2009. “‘How many resources should we put towards this?’ ‘Why should editors have to learn to do this?’ There was really a lot of resistance.”

Okay, so maybe this global marketplace concept wasn’t all easy, but the ’00s did have their sweet moments. The digital revolution gave users previously unimaginable access to new products and ideas. People who’d never read publications like FASHION or heard about internationally acclaimed brands could immediately see the designs on the runways of Paris and Milan. We could also read reviews for beauty products on blogs and online shopping was beginning to be rolled out by major retailers. Netflix would ship DVDs straight to your house with no due dates or late fees (remember, this is the ’00s; streaming services wouldn’t be launched until late in the decade.) It was the future. Or, at least it felt like it.

It was the era that also popularized the 24-hour news cycle. If something was going on in the world, you knew about. The access encouraged people to think critically.

“My focus was on getting strong women’s voices into the magazine. Certainly, looking back that’s what I’m proudest of,” says Delap. “After that first year we had a bunch of magazine award nominations and we had all these great voices: Lynn Crosbie, Karen von Hahn and Liz Renzetti. Fashion has become a way to talk about diversity, feminism, women’s issues and broader social issues. That was just starting to turn the corner during my tenure at FASHION.”

While the magazine used its platform to bring the more serious side of the world to its readers, FASHION also took full advantage of globalism to report on all the international beauty, fashion and culture news. “I was internationally-minded. I wanted everything in the magazine to come from the runways,” says Marsh, who also facilitated amazing location photoshoots during her tenure.

“The location shoot was a key goal. We wanted to do as many location shoots as we possibly could,” adds Catherine Franklin, FASHION’s fashion director from 1987 until 2001. “We would do shoots in studio but we always tried to capture an image that was more than a girl standing in front of a wall. We wanted the magic of light or wind or sort of an unusual moment that happened when you’re not in a protected environment. So, we worked really hard to go on trips.”

“We used to call ourselves ‘Small Time Productions’ because people were hardly making any money but everybody wanted to come on these trips and do a beautiful job and create something interesting.”

One of Franklin’s favourite was a trip to Tunisia for the Summer 2001 issue. The editorial captured the clothes, hair and makeup artistry, but it also reflected the spirit of the location.

Photography by George Whiteside. Styling by Catherine Franklin.

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FASHION on Location During the ’00s

Photographed on location in Tunisia for our Summer 2001 spread “Oasis.”
“One of our most fabulous location shoots was in Tunisia,” says Catherine Franklin, who was fashion director from 1987 to 2001. “We went into the Sahara Desert, and it was so beautiful—people were riding camels. My favourite shot is of the girl with the umbrella”

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